Friday, October 12, 2012

Gravity and Contrast


On the back of his staff shirt,
a three-step order:
identify, understand, enable.

On the back of yours sweetheart;
a bikini strap tan.

Between tan lines and acts of servitude
lies a potential freedom.
They press and cajole you
towards this
frame of thought.
Which is strongest?
Gravity decides.

But listen,
Tan lines fade in Honolulu
And you pay for servitude.

Thursday, October 4, 2012

These Exhibitionists


They laugh
at the end of another exhibition
parting ways and saying goodbye
to the ephemeral nature of it all.
Then to their beds,
they press themselves quickly
into the grinding heat of
another day.
And then it’s back to work,
to the mind,
to instinct
to whatever love
whatever virtue
they can muster for their art,
what’s left is saved as tears
and kept for tomorrow,
for these exhibitionists
use everything.
And then the rest of the day
they do whatever they have to
to Keep it light,
to keep it easy,
and to be ready,
for another flight of fancy
another night to fight
the ennui.
Till the next day,
then the next,
then the next.
With minor miracles
on their side,
tender mercies
till the sun blows up.

Wrote this thinking of all the exhibitions I've been going to, it's wonderful meeting new friends and learning from whatever 'minor miracles' you can find hanging on the walls. But also how transient the experience is, like everything's experienced through smoke. But I love the people, the jokes the engagement with life and as much as I used to feel tense at shows, it's all easing up now in equal measure. All this comes with letting go, putting the 'self' aside, holding firm to what really matters, love and people. 

Wednesday, September 12, 2012

Wilco's Cover


Here's a number that I was thinking about while loading the 'True Love' strip on the web, a cover by Wilco of Daniel Johnston's 'True Love Will Find You In The End'.


True Love.

Here it is, my first comic/poem hybrid. Be warned it's a little sappy. I was a little sentimental the night I wrote this, what can I say?


Sunday, September 11, 2011

The Security Guard.

I know that it is common knowledge that we suffer from a lack of identity, but then again how do I know? Can anyone speak for everybody?

I was talking to one of my friends over the weekend, who works as a security guard. He went on about his dissatisfaction in his workplace, the fronts that people put up, the ways he gets treated, it's all common knowledge, and normally with anyone else, my head would be spinning the words , yada yada yada, it's something I've heard of before, but from him, it felt like a special occasion, it was as if he carried all the gravitas and weight that I've felt lacking from many a conversation.

Can anyone be said to be genuine anymore? Well, it felt like he was something like that, for that moment at least. Something happened last night when he spoke. It was as if a pin had dropped in the centre of our pub and everyone had to be quiet. Was it because those words were the last thing that you would expect such a person to say? Yet at the same time it felt for me, that he was the only one who could talk about these things. The security guard, the quiet one at the party, the truly observant one, I've always suspected that the one who rarely speaks, not out of intimidation, or passivity, but from the wisdom of erudition, has a voice like no other.

He was the one who lived under the heel of a boot, where all he got to do was to watch the figure on top, pressing down on him. It was as if that if he were to speak, he would be the one to say it for everybody. A man like my friend, has learnt more about life than any university grad could ever hope to figure out. That being said, there are many security guards that do irritate me, the kind that hold on to their positions as if it was their God-given right to inflict their own brand of justice in some out-dated style of a bad ass cop figure type. They hang on to their sense of authority, or to put it in another way, their sense of position, as if it was the last thing they had in all the world. I assure you that my friend is not that sort at all, he's a sensitive soul with a hard as nails facade.

He also talked of a distaste for plasticity in our culture and in our lifestyles. In return, I shared with him my view, that  in every relationship, there seems to be a measure of compromise, of falsity/plasticity, that the ability to live true to anything singular, is abhorrently difficult because whatever is true to any individual is so contorted and twisted by media. We the Hollow Men (although it's Eliots', let's claim it for ourselves) are so hungry for reality, for a way of truth in our lives, but in this media saturated environment, where everything is up for grabs and nothing sticks, the quest is even harder, even causes for good have to be marketed and approved with some incentive, some appeal, it has to become fashionable. Trends die. That's the natural progression for trends, can we learn something from that?  I suspect that one of the things we've learnt from trends, is that we now understand the silent art of disposing each other, and our beliefs and convictions. When we've sucked each others wells dry, a new trend in our fashionable lifestyles can begin.

After the conversation, as he turned his back to me, I lingered on my view that moved from our balustrade, a panorama that began by looking down from the back-end of the Esplanade, then stretching up to the channel of water and eventually, directly at MBS. The dice was rolling against everything as I turned to join my friends, I felt that potential slip back into a world of compromise as we would make our way back to our separate states of being. I know I can't let it go anymore. This is all the reality I have left. Those last words that felt real over the weekend, by my friend, the security guard.

Saturday, September 10, 2011

Word Junky.

Word Junky


Today’s a strange day for me.
For all the words are bigger.

Bigger Words = Bigger meaning.
-Me.
Bigger is better and biggest is best.
-Burroughs.

And every syllable,  
From every tongue,
That's been filling up in my Cochlea.
Has progressed.
And now adapted,
I'm a walking boom-box machine,
With only myself,
I play the role of the listener.
Without class and without 95.

And my eyes,
They used to scroll through FB,
Like one who sets his gaze on a stream,
Of tepid water.

All the words couldn’t put Humpty Dumpty back together again.

Now the words are coming at me
Better than any kind of lover.
In the fashion of  Koon’s balloons,
Or Holzer’s texts.
Word’s the size of skyscrapers.
It’s all very personal now.
And I finally believe in words again.

Each word is the sum of all parts.
It’s true.
And every part carries meaning.
I do believe so.
If you don’t believe me
Carve this out,
On a tablet of plastic.
And repeat it like a mantra.

“All words carry meaning. And all meaning is good for me.”

Do this for 41 days and 41nights,
Without food, drink
And entertainment
Eventually,
You’ll get what I mean.

And yes, you may use FB,
But only to communicate your experience.

Film Directors' Comics.

Check these out, comics by filmmakers David Lynch, Federico Fellini and Alenjandro Jodorowsky.





David Lynch





Federico Fellini









Alenjandro Jodorowsky






Saturday, August 13, 2011

Sleep All Summer.





This is such a delightful song, can't help but post it. This reminds me of the duet between Jeff Tweedy and Feist. Suddenly I'm trying to recall all those other duets I've heard over the span of what I've listened too. From the top of my head, there's Dylan and Baez, The Postal Service, The Fiery Furnaces, Louis Armstrong and Ella Fitzgerald, will probably post their videos in the future, if I can find them.

Wednesday, July 27, 2011

Picasso's Birthday Party.



Front


Back


Inside





It was a few months ago in february that I took a trip to Beijing for a regional workshop, part of my training for the Middle Years Program that I'm teaching. There was this little exercise that our workshop coordinator made us do that I thought was really funny. Each of us was assigned to make a little birthday card for an imaginary birthday celebration for Picasso. Slipping into boy scout mode, I made a little strip out of a little card I found in my hotel room. Found out that there's a song by Jonathan Richman about  Picasso being the immaculate charmer he is. Yes, lot's can be said about Picasso, but he did get all the girls didn't he? 

I recall my trip to Beijing with extreme fondness. I Remember Oliver from San Francisco who to me had this imposing physicality about him, he was one of those personalities that you can't rub from your memory, always bouncing around both in movement and in lively, often times funny verbal expression. He's one of the nicest person's I'd ever met, I always have a fondness for imposing personalities that humble themselves. Then there's Kazuko from Osaka, who's presence had a very calming affect on me. Her anxieties about teaching were so honest and everything about her person was so transparent and true, it was strange that she messaged me the day before the disasters took place in her country which also happened to be my birthday. Finally, of all the people I remember fondly, there's Philip from Britain. I remember that he was the biggest surprise for me, his gestures and appearance constantly seemed aloof and battered, as if he'd been through a lot, which I found out to be true, yet he was always encouraging and positive in his outlook, no matter the frustrations he faced. It was wonderful hanging around with complete strangers, artists/teachers like me who had common hang-ups regarding being artists/teachers and sharing the joys about what we do. But best of all, we could share one or two of our own private anxieties because it wasn't said or acknowledged, but we knew that there could be no damage between strangers who would probably never see each other again. It was for only three days, I missed a liu Xiaodong exhibition I really wanted to see and I didn't reach the Great Wall, but I found some commonality. 

Update: 

Here's the band Modern Lovers playing Pablo Picasso.





The Strip I Keep.



I thought of sharing this, ever since I came up with the idea of conceiving this blog. I Keep this in front of my writing space at home, to remind me to be weary of the opinions of others when it comes to making Art, that I have to be mindful that what I'm trying to convey isn't to please any particular audience, but to be as truthful as I can be to the way I see and observe the world around me. I'm starting to find that my Art is meant to give me more than pleasure, there's a certain amount of responsibility that goes with the process of Art making, but there's no political agenda in what I create and I am not making art solely for private gain. There is definitely an agenda going on, but the specifics of the agenda are personal to me. For me, an agenda must never be written like a manifesto, it always fails in that form, for my work, an agenda must remain unspoken for it to be as open as a poem. I don't want to shy away from 'abstract' thoughts, thoughts that are too vast and complicated for most to comprehend but at the same time I'm hoping that the work can be relatable. Anyway, this is the way I have seen the world thus far, a sequence of conflicting polarities that once strung together and worked out, might lead to hidden truths or new pathways.


Sunday, May 29, 2011

I'm New Here.

What a beautiful song.
R.I.P Gil Scott-Heron.








I was just reflecting on Gil Scott-Heron's album 'I'm New Here' and how it reminds me of Johnny Cash making his last recorded albums 'American Recordings'. I love it that these great artists gave their best even when they could have easily retired. These records are something the industry can never categorize, it's art in relation to life, the words shaped can never be mimicked. Art needs to come out from life, you have to have gone through what Gil Scott-Heron went through to make his art, and he went through a lot, having lived through the Jim Crow laws, laws that segregated black people from white people in America, as well as an ongoing struggle with drug addiction. I love that he was always frank and honest about the way he felt about his country and himself, he made it a point to bother about the bigger picture, that what happens in another country, happens to his country, that the world's problems were his problems. That what the future generations of rappers have to fear are making songs that aren't based on authentic experiences. His last album is something like vintage wine for me, ripe with all the flavors of a beautiful life. It's sad that he couldn't have made more music. All this makes me realize that old age is something to actually look forward too, unless you go senile, Gil Scott-Heron is evidence that great things can be done even then. 

Sunday, May 22, 2011

An Assault On Affection.















It's out! My first comic, An Assault On Affection.

There are 2 shops that you can purchase my comic from:

The first is Doinky Doodles, at 33 Bali Lane (2nd Floor). Tues-Sat 1-8pm. Website: www.doinkydoodles.com. Doinky Doodles is an amazing shop, that my friend Pixin owns, there's a little section of comics and zines there that  I absolutely love (including her own). Do check it out!

The second is Absolute Comics, at 200 Victoria St #03-13 Parco Bugis Junction, it's a comic shop that I have been faithfully buying comics from, another great shop.

I really hope that more people will support these local shops, to me they are something special. The big stores are much more impersonal in comparison. I'll be putting my comics in at least three more stores and that will be that. Will update this post as I find more stores.


BTW, make sure you check if the stores are closed for special occasions, by checking online.

For any inqueries, please e-mail me at fatcrumb@gmail.com.






Updates

You can now get my comic at Cat Socrates too! # 03-39B Bras Basah Complex, 231 Bain Street. They open from 12- 8pm (mon-sat) / 1-7pm Sun and Public Holidays. Website: www.catsocrates.com.sg.


Sunday, May 8, 2011

Special Powers.






Really wanted to post this one much earlier but the cleaning up process took longer then I expected (I usually clean up the eraser marks and white ink with photoshop). Also, I'm in the middle of my national service. Since my last reservist, I had a little idea for a strip about my experiences in camp, might work on that soon.

I'm really starting to enjoy making these Sorehead strips, went jogging today and came back with so many ideas. I'll probably do a lot more before I get back to painting. When that happens the strip will come out infrequently. 

Along with the strip above, I thought it would be nice to attach this image I made of a couple that I drew in my sketchbook. The sketch came in handy as a reference for the couple in my strip above. 








I've been thinking about this strip I made recently and my opinions and views as expressed in the strip are very different now. I realize that I can never look at a single person and 'figure them out'. People are a constant mystery for me and that includes myself. I'm a constant mystery to myself and can never predict the mood I'll be in, or the way I will react to sudden situations. That said, the validity of this strip still holds up in a certain way because most times I find that people do behave in ways that are predictable as as if their actions were scripted. I find it constantly disappointing when the obvious presents itself to me, and that is probably what this strip is about, a lament over the 'predictable'. How much of it is the fault of the given situations people are subjected to? How much out of it is just the person/s' willingness to be subjected? This un-ending mystery presents itself daily. 

27/07/2011



Monday, May 2, 2011



A year ago.. or at least I think it was a year ago. I stumbled on this video interview with Leonard Cohen. He made me think about something that I reflected on before and totally agree with, that of making art in-spite of suffering and not by being fueled by it.

I think this is an important point for all artists who believe that they need to live a self-destructive life before they can make good art. It's a cliche. Funny how just today, I stumbled on Jeff Tweedy (below) saying the same thing!

Start listening to leonard's clip from 3:17.



Tuesday, April 26, 2011

The children are the first to know.

The children are the first to know
What they haven’t learnt in a lifetime.

What it is that is.
They already know as most important.

What we haven’t learnt in a lifetime,
They summed it up with their smiles.

What we have forgotten,
The children know most often.

And the children will show it to you
Even if you’ve forgotten.

Just this once
Let the children play,
Let the children scream
As loud as they desire!

Because their screams are of delight!

If you do not want to look bad
Just leave them be,
And smile.

The boy takes his fathers face
And tries his best to make a shape.

That moment,
Hanging on the hope
For his loving gaze.

But the human face,
It is nothing like Play-Doh.

And the child trips!
On what he doesn’t know.

So children,
This is why!
You must learn with all your might!

But as you do so,
Please don’t ever forget!
What is most important!






This was done recently, it's not meant to be read like a regular poem, you have to imagine that each stanza is in a single page of a kids story book which I intend to turn this into.

- Fatcrumb